主演：英格丽·褒曼 马蒂亚斯·维曼 雷娜特·曼哈特
导演：罗伯托·罗西里尼
简介： Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
主演：陈豪 张曦雯 郑子诚 江欣燕 丁子朗 冯皓扬 谭凯琪 刘佩玥 陈嘉辉 黎燕珊 郭柏妍 马贯东 卢宛茵 张武孝 林映辉 程可为 林溥来 黄婧灵 林家乐 钟翠诗 陈力行 蔡伟韬 林夕童 罗皓谊 黄键丰 刘俊亨 苏丽明 冯子亮 卢映彤 叶进康
导演：陈萍 徐正康
简介： 深水埗，香港最龍蛇混雜的地方，卻孕育出一股俠義情懷，成就一個現代傳奇。他經歷過死亡，心心念念，要傳承父親濟世為懷的人道精神，接受過西方教育，卻熱衷中國傳統的太極和射藝。他深信父親傳下來的活絡油，可以通經絡、治未病，身為中醫師，更矢志改變一般都市人對痛症只會濫用止痛藥的陋習，用現代化的方法包裝營銷家族藥油，不為金錢，只為宣揚一種理念，中藥油不比西方的止痛藥差，而且更安全，副作用更少。 為了進一步推廣中醫，他沒有停下來，活用中國第一部醫書《黃帝內經》醫學理論，無償救治一個又一個被西醫放棄的病人，治療各種奇難雜症，甚至冒險用上獨特的針灸方法，就算被推上風口浪尖也無畏無懼，只求為這些貧苦絕望的病人提供西醫外的另一個選擇，帶來希望⋯
主演：陈豪 张曦雯 郑子诚 江欣燕 丁子朗 冯皓扬 谭凯琪 刘佩玥 陈嘉辉 黎燕珊 郭柏妍 马贯东 卢宛茵 张武孝 林映辉 程可为 林溥来 黄婧灵 林家乐 钟翠诗 陈力行 蔡伟韬 林夕童 罗皓谊 黄键丰 刘俊亨 苏丽明 冯子亮 卢映彤 叶进康
导演：陈萍 徐正康
简介： 深水埗，香港最龍蛇混雜的地方，卻孕育出一股俠義情懷，成就一個現代傳奇。他經歷過死亡，心心念念，要傳承父親濟世為懷的人道精神，接受過西方教育，卻熱衷中國傳統的太極和射藝。他深信父親傳下來的活絡油，可以通經絡、治未病，身為中醫師，更矢志改變一般都市人對痛症只會濫用止痛藥的陋習，用現代化的方法包裝營銷家族藥油，不為金錢，只為宣揚一種理念，中藥油不比西方的止痛藥差，而且更安全，副作用更少。 為了進一步推廣中醫，他沒有停下來，活用中國第一部醫書《黃帝內經》醫學理論，無償救治一個又一個被西醫放棄的病人，治療各種奇難雜症，甚至冒險用上獨特的針灸方法，就算被推上風口浪尖也無畏無懼，只求為這些貧苦絕望的病人提供西醫外的另一個選擇，帶來希望⋯
主演：郑繁星
导演：未知
简介： 不想听从父亲安排的大小姐宁钰离家出走，她本想和男友孟方舟一起创办梦想中的“深夜食堂”，却因为资金不足惨遭孟方舟抛弃。正当她以为餐厅要办不下去的时候，自称是从民国穿越而来的少年陆思阳出现在餐厅门口。陆思阳一面想办法触发师父留给自己的传承一面在宁钰的帮助下适应现代的生活，他靠自己高超的厨艺将餐厅办得如火如荼，又因为和宁钰理念不合选择加入孟方舟的餐厅，在这期间陆思阳发现孟方舟和自己同门大师兄长得一模一样，甚至连他的现女友于淼淼也和当初差点害自己没命的饭店大小姐相似，与此同时自己梦里经常出现和宁钰面容相似的旗袍女人，陆思阳被人谋杀的记忆在他脑海里苏醒，他的内心越发摇摆。而陆思阳在寻找自己死亡和穿越的真相的过程中渐渐对宁钰产生了别样的情愫。
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